Tuesday, November 24, 2009

I Can Do Without...

--Billy Joel

--Paul Simon

--Art Garfunkel

--Simon and Garfunkel

--ESPN anchors

--Julia Roberts, Sandra Bullock

--Kevin Bacon

--Combo remote controls

--the Dish when I want Cable and Cable when I want the Dish

--distinguishing between Ruby Tuesday, TGI Friday and Applebees

--political talking points

--rachel maddow

--ed schulz

--when they show people IM'ing or emailing "in real time" in movie scenes, especially with the words materializing on screen; alternatively and even worse is when they have the typist mouthing - audibly or not - the words they are typing rather than show you the words appearing on screen. imagine your hearing me speak out the words you are reading....right....now.

--any use of cell phones in movie scenes

--the militarization of the NFL

--the second round of awful patriotic music at baseball games. even the first one is un-ncecessary

--people who mock the mock turtleneck

--GM's, players and coaches who dismiss their futility by saying they just need to execute better; conveniently absolving themselves of any blame for just plain sucking, or having devised a bad plan

--the banjo

--drum solos. and that means everyone. keith moon, charlie watts, john bonham, trucks and johansson, i don't care who. no one's.

--live albums with gratuitously extended applause intros and outros. goes double when said cut is desired to go on a tape mix


Sunday, October 18, 2009

At the Picture Show - Minute Reviews & Musings

Some Favorite Scenes Revisited
--Duck Soup: Groucho, and Groucho made up like Harpo dressed up as Groucho mimicking each other in the hotel "mirror"
--Manhattan: the scene on the park bench, gershwin's lush rhapsody in full timbre
--Cinema Paradiso: when the movie house moves the picture from the inside the theatre to the outside wall
--Jackie Brown: 1) the long (very long) tracking shot of Pam Grier leaving the mall store at the start of the mall scene that starts the movie's climax and 2) the mall scene story climax repeated from each person's POV 3) Oh, and what the hell, everyone's performance: Samuel L. Jackson, DeNiro, Pam Grier, Robert Forster and Bridget Fonda.
--48 hours: eddie murphy walking into the country western bar
--High Fidelity: the ending with jack black belting out al green
--School of Rock: the ending with jack black and kids belting out AC/DC
--Dirty Rotten Scoundrels: steve martin in jail trying to recall michael caine's character's name
--Swingers: jon favreau's colossal string of messages left on his prospective date's answering machine
--Private Parts: Paul Giammatti trying to get Howard Stern to say "WNBC" and Sten mocks the pronunciation with a long "ennnnnnn"
--The Life Aquatic: the tracking shot of bill murray leading owen wilson around from room-to room (or set-to-set) below deck of The Belafonte; bill murray's tone and expression when he says "this is going to hurt" just before they crash; the crash impact sequence
--World's Greatest Lover: Gene Wilder in the opening working on the line at the cake factory with an homage to Charlie Chaplin and Lucille Ball
--Chicago: The way the movie opens through renee zellwegger's eye
--Runaway Train: Jon Voight's exhortation to Eric Roberts about making a clean break in life
--Michael Clayton: The opening scene of Clooney's confrontation with the guy who committed the car accident; when Clooney is kicking the door down to reach Tom Wilkinson; the closing scene confrontation with Tilda Swinton: "Do I look like I'm negotiating?! and "I'm Sheba the Goddess of Death!" Not to mention that extraordinarily long single take one shot at the end of him silently ruminating in the cab afterward.
--Straight Time: When Harry Dean Stanton begs Dustin Hoffman poolside ("Get me out of here!") to free him from his suffocating suburban connubial and civilized "bliss."
--Out of Sight: The seduction scene in Detroit's Renaissance Center
--Broadway Danny Rose: Not one of his better movies but a funny scene when he and Mia Farrow escape from being tied up by "wriggling" out of it
--Big: Robert Loggia tap dancing on the over-sized keyboard
--Great Dictator: Chaplin bouncing the globe around the office
--The Errand Boy: Jerry Lewis pantomiming as CEO in the empty board room to Count Basie
--Pirate Radio: Just the whole freakin' concept
--Going In Style: Art Carney rolling dice in Vegas

ACTION/ADVENTURE
  • 48 Hours - eddie murphy hits the bigtime. nolte is as nolte does.
  • Action Jackson - detroit in all its, um, gloryBack to the Future - thank god for crispin glover and christopher lloyd
  • Bad Boys - good American fun
  • Batman - michael pulls the cape on and pulls the role off
  • Behind Enemy Lines - this one surprised me although too over the top in terms of getting out of every mess so neat and clean
  • Beverly Hills Cop - mumford high and lions jacket says it all
  • Bullitt - mcqueen and the mustang at their respective bests
  • Butch Cassidy and the Sundance Kid - newman's still better looking
  • Charley Varrick - kim basinger's debut
  • Coffy - Pam Grier, and blaxploitation, at her and its prime
  • Daredevil - not as bad as you think even if affleck can't act or even narrate
  • Deliverance - squeal like a pig
  • Desperado - the bullets and salma hayek equally hot
  • Die Hard - when willis' smugness was still appealing
  • Diggstown - great surprise ending. can't go wrong with james woods.
  • Dr. No - yes
  • Enemy of the State - the first half anyway
  • Escape from Alcatraz - quietly gripping
  • Fantastic Voyage - my introduction to raquel welch
  • Foxy Brown - my introduction to pam grier
  • From Russia with Love - my introduction to sean connery and ursula andress
  • Get Shorty - the cadillac of minivans; also, james gandolfini in one of his last anonymous bad guy roles
  • Goldfinger - i especially love it when TV has to run this with the pussy galore character
  • The Hunter - last mcqueen flick and it's a keeper
  • I Robot - like most action movies (esp the overlylong ones) only one half is worth the trouble; the first half of this one)
  • Jackie Brown - bridget fonda and pam grier in the same movie
  • Jaws - broke the mold
  • Love and a .45 - not for the queasy
  • The Man with the Golden Gun - middle bond, middling good
  • Natural Born Killers - not for the queasy
  • Payback - the way these are meant to be. james coburn lives
  • Pirates of the Caribbean - too good to be ruined by a sequel
  • The Professional - natalie portman's debut. jean reno's only success at being cool
  • Pulp Fiction - uma's ugly in it and i still love the flick; plus classic keitel
  • Quiller Memorandum - george segal when it mattered
  • Raiders of the Lost Ark - guns beat swords every time
  • The Replacement Killers - great even with mira sorvino unfortunately
  • Reservoir Dogs - an earful
  • Roadhouse - guilty pleasure, mostly bec of kelly lynch
  • Robocop - detroit: my kind of town
  • Rocketeer - fun, fun, fun
  • Rocky - back then he and it was charming and innocent
  • Romeo is Bleeding
  • Snatch - if you can keep up with it
  • Spider-Man - one of the screen's best kisses besides the great action
  • Three Kings - one of 3 Clooney performances worthy of all the hype
  • The Spy Who Loved Me - roger moore fills the shoes nicely
  • The Sting - newman's still better looking
  • Superman - i liked the secondary characters - hackman, beatty and perrine
  • Thomas Crown Affair (1999 remake) - actually improved upon mcqueen's over-rated version
  • War Games - Matthew Broderick when he qualified as cute and when the cold war was still quaint fun/danger
CLASSICS/EPICS
  • 2001 Space Odyssey - nothing else ever came close
  • Advise and Consent - fonda is fonda-esque
  • A Face in the Crowd - andy griffith in a once in a lifetime role
  • African Queen - still can't stand hepburn
  • Apocalypse Now - begins with "The End"
  • Being There - sellers' last and among greatest
  • Birdman of Alcatraz - telly savalas with hair, if I recall
  • Breakfast at Tiffany's - no one ever mentions george peppard
  • Bridge Over River Kwai
  • Cabaret - if you've got the time
  • Caine Mutiny Trial - bogie is bogie
  • Casblanca - sam steals the show if you ask me. okay and louie.
  • Catch-22 - a story with a character named major major
  • Charade
  • Chinatown - the story, the colors, the outfits, the photography, the acting, the pacing, the direction ...
  • Citizen Kane - who am i to disagree?
  • Cool Hand Luke - my first and favorite anti-estab flick (followed by cuckoo's nest ). how many of those eggs did he really eat? and who can still remember what landed him in prison? and who remembers the blonde? and of course we all remember george kennedy. and newman got robbed.
  • The Deer Hunter - christopher walken, my friends, christopher walken
  • Dr. Strangelove - "you can't fight in here, this is the war room!"
  • Easy Rider - too young to get it the first time. i get it now.
  • Elmer Gantry - why lancaster is one of the greats
  • The French Connection - arguably a better chase scene than Bullitt's
  • From Here to Eternity - see two entries above. plus clift at his best.
  • The Godfather - pick a scene, any scene.
  • Goodbye Mr. Chips - heavy. good on a rainy day.
  • The Graduate - one of the best endings of all time.
  • Grapes of Wrath - fonda is fonda-esque (a theme perhaps?)
  • High Noon - cooper makes it work and some shots that were probably never used before in a western. one of my mom's first two records was this soundtrack.
  • The Hustler - paul newman is gorgeous. so is jackie gleason. so is the cinematography.
  • The Last Picture Show - an instant classic only moreso in retrospect.
  • Lawrence of Arabia - same as above. perfect for the LCD's now.
  • Limelight - critics don't like it; i do. says them.
  • The Maltese Falcon - all around good fun.
  • Manhattan - "sometimes you just have to have a little faith in people."
  • M*A*S*H - top 5 anti-estab movies
  • Modern Times - chaplin's best
  • One Flew Over the Cuckoo's Nest - "mmm. juicy fruit?" 2nd all time favorite anti-estab flick
  • Paths of Glory - kirk douglas is douglasian
  • Psycho - just a little too believable; great set-up
  • Raging Bull - pure power of a movie. not for the queasy. best b & w flick since color came along.
  • Rear Window - always fun
  • Rebecca - especially if you are in the mood to be depressed
  • Rebel Without a Cause - the one dean movie that really mattered
  • Roman Holiday - if you're a romantic at heart
  • Rope - tie yourself down
  • Shaft - created and is still the best of the genre
  • Spartacus - the chicks too
  • Splendor in the Grass - natalie wood, aaah.
  • Strangers on a Train
  • Sunset Boulevard - impossible to be overated. beautifully shot.
  • To Catch a Mockingbird - one of the best about the south
  • Touch of Evil - Welles would have approved of the re-master
  • Treasure of the Sierra Madre - good, clean fun
  • Vertigo - better maybe now?

COMEDY
  • Airplane - saved my sanity the day i almost burned a house down
  • A Fish Called Wanda - my stomach hurt after this one
  • A League of Their Own - even with madonna; lovitz and hanks make it roll
  • American Pie - eugene levy, as always
  • A Mighty Wind - pitch perfect
  • Arthur - moore, yes, gielgud, yes, minnelli, aarrgh!
  • A Day at the Races
  • Analyze This - they just *had* to make a sequel. stop with the sequels that ruin what it created.
  • A Night at the Opera
  • Animal House - pinto went on to be amadeus!
  • A Shot in the Dark - peter sellers, elke sommer, ooh la la
  • Bananas - anarchistic humor, literally
  • Barbershop - better on the second viewing
  • Bend it Like Beckham - just plain funny and well scripted and greatly acted
  • Big - if only
  • The Big Lebowski - bridges, goodman and turturro take turns stealing scenes
  • Bill and Ted's Excellent Adventure - be excellent to each other
  • Blazing Saddles - the one and only
  • Booty Call - i still think it's funny. and she's not called vivica fox for nuthin'
  • Bowfinger - under-rated steve martin
  • Broadcast News - the sweating scene
  • Bubble Boy - thank you max for bringing it to my attention. perfect mix of slapstick, surrealism and nonsense
  • Bullets Over Broadway - Chazz Palminteiri was never this good again
  • Caddyshack - "be the ball." Murray, Chase, Dangerfield, what more do you want?
  • Cadillac Man - hey, i just like alan arkin so leave me alone
  • Cannes Man - shoestring budget, bigger laughs
  • Casino Royale - i believe jacqueline bisset made an entrance in this one
  • City Slickers - "it's about one thing"
  • Clerks - Kevin Smith's one good movie. all downhill from here
  • Clueless - don't have to be a chick to be clued in
  • Cocoon - i'm a sucker for sentimental old folks
  • Cool Runnings - we miss ye John Candy
  • Dave - "I caught a fish *this* big."
  • Dazed and Confused - that's how i remember high school. matthew mcconahey's debut, in case it matters
  • Diner - "You gonna eat those fries?; " the Baltimore Colts engagement quiz
  • Dirty Rotten Scoundrels - the hits are a little slow in coming but just enough to be worthwhile
  • Ducksoup - Duh
  • Fast Times at Ridgemont High - has sean penn even smiled since?
  • Ferris Bueller's Day Off - the ultimate slacker fantasy. And Gordie Howe's jersey
  • The Flamingo Kid - The future Mrs. Wayne Gretzky; "Any Fish You Wish"
  • Fletch - chase is bearable somehow
  • Flirting with Disaster - wacky stuff
  • Freaky Friday - jamie lee curtis/lindsay lohan version. it's actually watchable
  • Frisco Kid - gene wilder the way a rabbi ought to be
  • Going in Style - old guys rule
  • Good Morning Vietnam - only if you are a robin williams fan
  • Groundhog Day - Bill Murray creates a new career
  • Groundhog Day - Bill Murray creates a new career
  • Happy, Texas - steve what's his name steals scene after scene
  • Hollywood Shuffle - good spoof on a meager budget
  • House Party - blacks for whites
  • Kentucky Fried Movie - not for the kids
  • The Last Remake of Beau Geste - The Last Role of Marty Feldman
  • Lost in America - currently under reconsideration
  • Major League - lots of future stars hold this together for good, harmless laughs
  • Manhattan Murder Mystery - Woody starts a comeback
  • The Mask (Jim Carrey version)
  • Mean Girls - not just for girls
  • Meatballs - i believe bill murray's first feature. nice touch.
  • Midnight Run - deniro is intentionally funny
  • Milagro Beanfield War - why hasn't redford done another like this?
  • Monty Python and the Holy Grail - "We'll call it a draw."
  • Mr. Saturday Night - is it a comedy or a drama. it works.
  • My Cousin Vinny - marisa tomei's biological clock (though everyone knows still not worthy of the oscar)
  • My Favorite Year - must have been fun to make
  • The New Guy - max made me put this in
  • The Nutty Professor (both Jerry Lewis and Eddie Murphy versions)
  • O Brother Where Art Thou - great character acting by everyone incl. clooney
  • One Night at McCool's - Michael Douglas steals this
  • The Party - mostly improvised
  • The Pink Panther - part of the first and best troika in the series
  • Pirate Radio - not sure why no one else saw it; great writing, playful acting and comedic timing combined with awesome soundtrack of the times
  • Play it Again Sam - took the words right out of my mout
  • The Princess Bride - billy crystal in a great cameo
  • Raising Arizona - still wacky funny after all these years
  • Return of the Pink Panther - the last of the great opening triad
  • Road Trip - good stupid fun
  • Room Service - jumping butterballs!
  • Running Scared - billy crystal acquits nicely - "here come the sphincter brothers"
  • School of Rock - a movie made for jack black; and why can't more of them end with this much fun?
  • The Scout - albert brooks does a bill murray turn
  • She's Gotta Have It - spike got it in his debut
  • Silent Movie - i defy to remember the one spoken word
  • Silver Streak - the return of the buddy movie
  • Slapshot - great moments throughout, e.g., the hanson brothers
  • Sleeper - the orgasmatron
  • Splash - Eugene Levy especially
  • Stripes - oh what the hell, it doesn't kill me to include
  • Take the Money and Run - "Put all the cash in the bag. I have a gub"
  • There's Something About Mary - brett faa-rev-e
  • This is Spinal Tap - "The volume goes up to 11."
  • Tin Men - barbara hershey is one for the ages
  • Tootsie - dustin was great but bill murray started a career. and don't forget charles durning
  • Trading Places - thank you Jaime Lee Curtis
  • Victor/Victoria - Julie Andrews we knew, but James Garner?
  • Whole Nine Yards - better than i ever expected.
  • Young Frankenstein - hard to choose between the better brooks - this or "saddles"
  • Zelig - timeless fun

DRAMA
  • 12 Angry Men - a rainy day movie
  • A Bronx Tale - not much to admire from deniro since this one.
  • Absence of Malice - newman and field make a great pair; too bad they never hooked up again
  • A Clockwork Orange - not a classic but a great one
  • Adaptaion - weird and too long but not bad by any means
  • A Different World - tougher to watch than you think
  • A Little Romance - Diane Lane's first, Laurence Olivier's last
  • Almost Famous - bring back those days
  • Alice Doesn't Live Here Anymore
  • All That Jazz - how could they have denied scheider the oscar
  • The Apostle - a little long but engrossing
  • The Apprenticeship of Duddy Kravitz
  • Atlantic City - "you should have seen the Atlantic Ocean back then"
  • Awakenings - has its moments
  • A Soldier's Story - good basic drama
  • Amadeus - that guy played pinto in animal house? f. murray abraham is not a jew?
  • Avalon - jews played by non-jews. for 3 hours. oy.
  • Baby It's You - Rosanna Arquette is all that matters
  • Bad Lieutenant - raw and rough. keitel eats up the scenery
  • Barfly - could have been you - could have been me
  • Benny and Joon - early signs of why depp would be so good
  • Big Night - small movie
  • Blue Collar - Richard Pryor and Detroit both shine
  • Blue Sky - tommy lee jones does some real acting
  • Boogie Nights - heather graham: can he f--- me up the ass? burt reynolds: sure, let him f--- you up the ass.
  • Bound for Glory - david carradine was made for this movie
  • Bugsy - stylish. hello annette benning
  • The Candidate - "now what do we do?"
  • Casino - sharon stone got robbed
  • Chicago - a masterpiece; instant classic. and i hate musicals.
  • The China Syndrome - what happened to all the lefty movies?
  • The Cincinnati Kid - Mcqueen, Mcqueen, Mcqueen
  • Cinema Paradiso - if only...
  • Close Encounters of the Third Kind - if only...
  • Clueless - still has its moments, surprisingly. one and out for alicia silverstone though
  • Coming Home - Jon Voight pulls it off
  • Contact - Jodie Foster makes you think twice
  • Crooklyn - People make the world go round
  • Croupier - great twist. and pretty people
  • Dangerous Liaisons - chick flick but what the hell
  • Dazed and Confused - sweeet.
  • Dead Man - Johnny Depp in black and white
  • Dead Man Walking - intense with a capital I.
  • Dead Poets Society - Robin Williams when he was still likeable
  • Death of a Maiden - slick but i liked it.
  • Deliverance - "Gonna make you squeal like a pig"
  • Desperately Seeking Susan - so 80's, but what the hell; plus another reason to love rosanna arquette
  • Dirty Harry - the original. who knew clint knew what he was doing?
  • Dog Day Afternoon - the weakest of the 70s spectacular triptyk (godfather and serpico) but that's still saying something
  • Donnie Brasco - Pacino nails it playing off type
  • Don't Look Now - julie christie is beyond words
  • Do the Right Thing - the ice cube melting on rosie perez' breast
  • Downhill Racer - the less redford talks the better he is
  • The Drowning Pool - not newman's best but definitely worth a rent
  • Drugstore Cowboy - Matt Dillon can actually act
  • ET - hard to know how to categorize this exactly, but Spielberg at his storytelling best
  • Fabulous Baker Boys - All three stars are fabulous in this
  • Fiddler on the Roof - just don't ever make me see it again
  • Field of Dreams - don't get me started
  • Fisher King - Redemption rules again
  • Five Easy Pieces - "Stick that sandwich between your knees and squeeze."
  • Frida - colorful literally and otherwise
  • The Front - Who knew Woody had it in him
  • Full Metal Jacket - that is one heavy m-f movie.
  • The Gambler - James Caan at his best
  • Gladiator - Give Russell Crowe his due
  • Goodfellas - Who wouldn't want to be Ray Liotta
  • The Goodbye Girl - Last time Dreyfuss had hair
  • The Good Girl - Jennifer Aniston can act in this one
  • Grand Canyon - heavy man, heavy
  • The Great Santini - who says fathers and sons can't get along
  • The Grifters - tough, gritty story. Oh and thank you Annette Benning
  • Hannah and Her Sisters - barbara hershey shines as always. wonder bread and mayo
  • Hang 'Em High - Clint Eastwood as he was meant to be
  • Hard Eight - great B3 soundtrack although unavailable anywhere as far as i can tell
  • Harry and Tonto - one of art carney's silver screen's trifecta
  • Heaven Can Wait (Beatty) - never mind the critics, hits all the right notes
  • The Hospital - george c. scott in a little-remembered great role
  • Hud - newman is all over this one; another one he should have oscared
  • Inventing the Abbotts - a story that works
  • Joe - susan sarandon's excellent debut.
  • Johsua Then and Now - alan arkin and james woods worth watching the whole way through.
  • Kiss of the Spiderwoman - don't plan to do much afterwards
  • The Last Detail - jack nicholson and randy quaid are perfect
  • Lantana - excellent performances overcome some banal dialogue
  • Last Night - under-noticed; a great concept if nothing else.
  • The Late Show - art carney in the role of a lifetime; under-rated movie in general
  • Leaving Las Vegas - ouch
  • Lenny - valerie perrine was better than dustin hoffman
  • Life is Beautiful - ouch
  • Lone Star - perfectly paced. chris what's his name before anyone knew him
  • Love with the Proper Stranger - steve mcQueen & natalie wood. What more could a guy want
  • Magnolia - tom cruise is actually good; everyone and everything else is stellar
  • Man of La Mancha - if not for peter o'toole...
  • Marathon Man - wouldn't want to be in dustin's shoes; or olivier's chair
  • Mask - cher surprises
  • Midnight Cowboy - my first x-rated movie
  • Midnight Express - don't let this happen to you
  • Mike's Murder - debra winger when no one cared
  • Mississippi Burning - gene hackman and willem dafoe with just the right touch; resisting the urge to go over the top
  • Mississippi Masala - denzel understated
  • Monster's Ball - overly melodramatic but has enough moments
  • My Bodyguard - two very young future starts in Vincet D'onofrio and Matt Dillon
  • My Left Foot - every once in a while you should subject yourself to a movie like this
  • Mr. Holland's Opus - a tear jerker for sure, and yet...
  • Nine - Unbeatable talent inDaniel Day-Lewis and the benefit of getting to look at Penelope Cruz and Fergie alternately throughout the movie
  • Nashville - always something new in here
  • Network - can't argue with peter finch on this one
  • Nobody's Fool - newman gets robbed...again
  • Norma Rae - reminds you why it's great to be a leftist
  • North Dallas Forty - in the top 5 sports movies. "every time we call it a game you call it a business; every time we call it a business you call it a game."
  • Oklahoma Crude - George C. Scott and Faye Dunaway play it right
  • Onion Field - Ted Danson and James Woods way back when
  • Open Water - even when you know the outcome...ouch
  • Ordinary People - our little mary tyler moore's all grown up
  • Out of Sight - A very estimable pairing of George Clooney and Jennifer Lopez; his real dramatic launching pad
  • The Paper Chase - almost made me aspire to be an overachieving overeducated law dude. almost.
  • Paper Moon - wherefore art thou tatum o'neal
  • Papillon - mcqueen's most unglamarous and very satisfying role
  • The Parallax View - you gotta love 70s paranoia
  • Patton - a blowhard but he's our blowhard
  • People vs Larry Flynt
  • Play Misty for Me - why doesn't anyone talk about this one anymore?
  • Pleasantville - a perfect statement on the 50s
  • Prizzi's Honor
  • Quiz Show - another redford winner behind the camera
  • Ragtime - perfect statement on the '20s plus Cagney's last role
  • Runaway Train - mind blowingly intense
  • Sabrina - don't know why; just because
  • The Sand Pebbles - more unglamarous mcqueen
  • Serpico - never gets old
  • Sex and Lucia - if the spanish wrote and directed "adaptation"; plus, lots of paz vega
  • Sexy Beast - chilling
  • Shampoo - the 70s live and in color
  • Shawshank Redemption - for when you haven't been depressed in a while
  • Short Cuts - tough to watch at times. on the long side also.
  • Something Wild - ray liotta's debut
  • Sophie's Choice - i suppose one of those "the book was better" but still watchable.
  • Starman - how did jeff bridges pull this off
  • Stunt Man - a total treat; peter o'toole and barbara hershey
  • The Sweet Hereafter - if you can stand the pain
  • The Sweet Smell of Success - great b&w job.
  • Sweet Sweetback's Baadassss Song - together with shaft, set the tone for blaxploitation
  • Swept Away - ahh, when men could still slap the little lady around and get away with it
  • Swimming with Sharks - "you're happy. I hate that!"
  • Taxi Driver - scorcese, jodie foster, cybill shepherd, deniro and albert brooks - whose career would you have wanted?
  • Terminator 2 - the sequel was actually better; a total perfect ending
  • Thin Red Line
  • Three Days of the Condor - back when redford, dunaway and political paranoia still reigned
  • Three Kings - will this be clooney's one and only action winner?
  • Timerider - where or where can this be found
  • Tombstone - westerns like they oughta be
  • Trees Lounge - slow, tough but worth buscemi
  • Trigger Happy - odd but winning
  • True Romance - christian slater is actually good
  • The Truman Show - Jim Carrey should've gotten an Oscar
  • Two Days in the Valley - great kitsch
  • Unforgiven - eastwood at his late model best
  • The Verdict - crusty newman; great jack warden
  • The Waterdance - don't let this happen to you
  • Warm Summer Rain
  • Witness - what's to say that hasn't been said?

DOCUMENTARY
  • A Perfect Candidate - The GOP would love to run every race against Robb; we'd love to run every race against North
  • Comedian - why seinfeld is seinfeld
  • Crumb - if the acid didn't kill your brain
  • Don't Look Back - ah, dylan
  • Farenheit 911 - speaks for itself
  • The Kid Stays in the Picture - hollywood in a nutshell; what a life
  • Porn Star - Ron Jeremy is bigger than life
  • Supersize Me - the truth hurts
  • Tom Dowd and the Magic of Music - a masterpiece musical producer
  • Wattstax - The way it really was, unblemished
  • When We Were Kings - boxing as theater at its best
  • Unzipped - what egotistical, NY gay jew fashion designer isn't good for a few laughs
MYSTERY/SUSPENSE
  • Blood Simple - the first coen bros deal
  • Body Heat - hubba hubba
  • Body Double - cheap thrills
  • Bound - now *this* deserves a sequel
  • Day of the Jackal (original)
  • Dead Again - perfect first date movie
  • The Deep - jacqueline bisset makes a couple good points
  • Klute - jane fonda and donald sutherland make movie magic
  • Marnie
  • Manhunter - william petersen in his best role
  • Memento - from what i remember a good one
  • Play Misty for Me - one of my first exposures to the dark side
  • Sea of Love - pacino and ellen barkin make it silly but fun
  • Shattered - tom berenger: everyone's allowed one good performance
  • Sneakers - Redford, Phoenix, Aykroyd, and the guy that played ghandi
  • Sleuth - why didn't these two do more like this together
  • Thief - james caan does it right
  • The Usual Suspects - i dare you to see it just once
  • Zero Effect - bill pullman and ben stiller are great
OFFBEAT/WHIMSICAL/SATIRE/BLACK COMEDY
  • Afer Hours - takes some getting used to
  • Barefoot in the Park
  • Being John Malkovich - i wouldn't have believed it if i didn't see it
  • The Big Blue
  • Bob Roberts - why doesn't everyone think this way about the republicans?
  • Bottle Rocket - owen wilson's debut i believe
  • The Brothers McMullen - another first timer that was downhill from here
  • Bulworth - vastly under-rated except by the two of us who ever saw it
  • The Coca Cola Kid - eric roberts' one good show; plus greta scacchi's debut
  • Daytrippers - good moments interspersed; good twist
  • Delusion - takes you by surprise
  • Eating Raoul - not for the kids
  • Ed Wood - a small masterpiece; depp in fine, um form
  • Election - probably the last movie i will ever see with reese witherspoon
  • Get Shorty - not a travolta fan but what a bang
  • Ghost World - you have to be in the mood
  • Going in Style - art carney, lee strasberg, george burns - all at their best?
  • The Invention of Lying - Truman Show updated; probably couldn't have been made without the "contributions" of the right wing nuts of the last decade
  • I Shot Andy Warhol
  • Jackpot
  • Lewis and Clark and George
  • Living in Oblivion - could have been better titled; buscemi's one and only screen kiss.
  • Local Hero - burt lancaster great late in life
  • Melvin and Howard - good little story, even if it's made up
  • My Dinner with Andre - up to a point
  • Nadine - kim basinger in an early major lead; jeff bridges always good
  • Nurse Betty - rene z. pulls it off or else...
  • O Brother Where Art Thou - clooney plays off type and it works
  • Player - one great scene after another
  • The Price of Milk - new zealand romance cum zaniness
  • Purple Rose of Cairo - ingenious idea
  • Radioland Murders - fun for the whole family
  • Roger Dodger - george c. scott's son performs admirably; kids don't try this at home
  • Rushmore - everything going for it plus bill murray and the soundtrack
  • Slums of Beverly Hills - alan arkin always works for me
  • Sugarland Express - spielberg's first; goldie shines
  • Swingers - just remember the telephone message scene
  • Tadpole - it should have always been that simple
  • The Life Aquatic - whatever it is i liked it
  • The Truman Show - tour de force for carrey
  • To Die For - a rare nicole kidman pleasurable experience
  • Trust - hal hartley with his own style
  • The Unbelievable Truth - hal hartley's first. not for everyone
ROMANCE/RELATIONSHIPS
  • Addicted to Love - other than ferris bueller, matthew broderick is best as a grown up
  • About a Boy - hugh grant can do something besides stutter and stammer
  • About Last Night - a nice slice of chicago
  • A Walk on the Moon - you going to argue with me about diane lane?
  • The Big Easy - kind of stupid but kind of works
  • Boomerang - eddie murphy not all up in your face
  • Bull Durham - baseball and susan sarandon. need i say more?
  • Cafe au Lait - mmmm, tastes good
  • Cappuccino - so does this on
  • Closer - better be careful who you see this with. thank god for clive owen. i could even stomach julia roberts in this one.
  • Crossing Delancey - bridget loves bernie comes to the big screen
  • Hannah and Her Sisters - an all time keeper
  • High Fidelity - Springsteen gives lover's advice and one of the all time best endings to one of the best contemporary movies
  • L.A. Story - What it's all about
  • Love Jones - black people in love
  • My Wife is an Actress - israelis playing french and british
  • Roxanne - smart humor and just enough slapstick for my taste
  • sex, lies and videotape - the one, the only
  • Spanglish - paz vega, please make about 100 more movies in my lifetime
  • Tao of Steve - great contemporary romance issues
  • Tin Cup - predictable but goes down easy
  • The Truth About Cats and Dogs - i'm probably not supposed to admit i like this one
  • The Unbearable Lightness of Being - if you have nothing to do for 2.5 hours except look at lena olin
  • When Harry Met Sally - the interviews with the older couples

Sunday, October 4, 2009

WISH I'D SAID THAT - #2

Jerry Seinfeld, NYT, February 28, 2010
"All marriages are based on a sitcom premise: What if you and I tried to stay together for the rest of our lives?"

Jeff Bridges, Rolling Stone, February 18 2010
"The kind of acting that I admire is where you can't see the wheels turning. People in real life don't try to show their feelings - they show them inadvertently."

"I prefer coming from an underdog position. Always. I don't like to say, 'Hey look what I'm going to do for you.'"

Larry David's character Boris in Woody Allen's "Whatever Works," 2009
"People make life so much worse than it has to be, and believe me it's a nightmare without their help."

"My story is: whatever works, as long as you don't hurt anybody."

50 Cent, Esquire, January 2010
"Always have bail money."

J Mays, Chief Designer at Ford, Esquire, January 2010
"They're not writing songs about cars anymore."

Jerry Lee Lewis, Esquire, January 2010
"I still got pretty hair. I'm still rocking. That's sitting on top of the world about as high as you're going to get."

Ornette Coleman, Esquire, January 2010
"The difference between sex and love...You're not always sure you're in love. But when you're having sex, there's really no mistaking it."

"I don't try to please when I play. I try to cure."

"I wasn't so interested in being paid. I wanted to be heard. That's why I'm broke."

"How is it that something you care for would not let you love it?"

Sting, Esquire, January 2010
"I had a pretty miserable childhood but would I want to change it? No. Childhood made me who I am, and I'm quite happy with who I am. Without my childhood, something else would have happened."

James Spader, Esquire, January 2010
"I like to be wrong. I like to find something new."

Carl Reiner on Mel Brooks, WPost, 12/06/09
"[Mel's] a man of very strong tastes [and can't stand it when I eat onions] because he doesn't like onions and he judges everything on how it affects him."

Tom Petty, Rolling Stone, December 10, 2009
"I had an explosive side. It wasn't that easy to set me off. But when it happened, I lost it in a big way. I've learned to control that. But I had a tough childhood and took a lot of abuse. The rage was in me, and when it got away from me, I didn't know how to control it. But I could vent it in this music."

"I had a wonderful mother. She was a very kind, good person. My father was Jerry Lee Lewis if he didn't play the piano. He was scary and violent. He beat the living hell out of me and and there was constant verbal abuse. Looking back on it, he probably was disappointed that I was so drawn to the arts. make life so much worse than it has to be, and believe me it's a nightmare without their help."

Barry Levinson on Robert DeNiro, WPost, 12/06/09
"What makes him great as an actor and fascinating as an individual is that you can never figure the man out completely. He always seems to have a secret. You want to know more and you can't ever know enough."

Paul Taylor of the Paul Taylor Dance Company, NYT, 10/18/2009
"I've always needed a certain amount of solitude...I like people OK. It is just that I like being by myself."

Ted Danson's Character George on HBO's "Bored to Death" Finale, 2009
"It's good to stay in the dark about some things. Keeps life interesting."

Larry David, Curb Your Enthusiasm, 2009, Season X, Episode X
"I'm not used to giving people the benefit of the doubt. I'm not conditioned to doing it. Something told me, 'no don't do it, it's not for you.'"

Kevin Smith, Huffington Post, 10-05-09
"It's sad when you realize you can't be the angry young man anymore. The angry young man is barely ever interesting, and tolerable in his 20s. But his late 20s? Early 30s? God forbid late 30s? You can't anymore."

Elliott Gould, Esquire, October 2009
"There is no escape. There is no place to go. Our life is on earth."

"It is essential that I listen so I can try to minimize the problems I create for myself."

"For a kid - or for a repressed, inhibited shy person - to find out that you could have an effect on people by making a joke was interesting. So I would do that."

"It's not women who are tough. It's life."

"I live alone and that simplifies a lot."

"Whenever I die, that will be when I die. What's the big deal. I mean, if I just had some lentil soup, I'd rather not make a mess, but other than that, what's the big deal?"

"The best friend I ever had - I don't know that it's a who. 'What' would make more sense. Calm is a good friend of mine."

"I have persisted but without a ballpark, without a game, without a team. We go on."

Rosanne Cash, NYT, 10-04-09
"I was always dreamy, thinking about art and not knowing where to buy stamps. I have a terror of running out of stamps."

"I have regrets. I don't understand people who say they don't have any regrets."

John Cleese, NYT, 10-04-09
"As you get older you laugh less because you've heard the jokes before."

Merle Haggard, Rolling Stone, 10-01-09
In his songs, Haggard often portrays himself as a free-spirited rambler, but in life he's weighed down by a complicated personality - intelligent, ornery, contrary, impulsive, always curious, with a deep worrying streak. "I've never seen anybody who can take a light load and make it a major burden the way Merle can," his manager, Fuzzy Owen, has said. "Merle's a mood man," observes his pianist, Doug Colosio. "He lives in the moment. You never know where things are going - just that it's probably not somewhere you've been before."

"I can get depressed real easy. My life is not as smooth as it might appear. There are secrets that I wish there weren't, and the glue - I'm the glue I guess, that keeps it all from falling apart."

Most of all he misses Johnny Cash. "We was more like brothers than the brothers we had. We understood each other's problems. He was the guy every macho guy in the world wanted to be, and he wasn't happy with himself at all. I'm a lot like that."

"I've shot myself in the foot plenty. I don't even have to look back at my career to see that - I can look down at my foot. But I'm just not one to give a lot of thought to the brilliant ways to make money. I guess you'd call me a lazy thinker in that particular area, but I think more about good songs and catching a big bass than I do about how to make money."

[While in prison] he found a way to escape from every single place he was locked up. Asked what motivated him, he shrugs, "I don't like to be told what to do."

From his wife: "It does him so much good not to think. He asked me, 'why would you want to not think?' I said 'Well you might want to give your mind a rest.'"

David Duchovny, Rolling Stone, 09-17-09
One of his favorite mottos, he says, is from Nietzsche - amor fati - love of fate. "Whatever happens to you, fall in love with it, because there's really no other option. You can decide to rail against the fates. You can think 'Oh, I'm a victim! or Woe is me!' But it happened. So love it. And see what the good is coming out of it."

Jeff Tweedy, Wilco Lead Singer, Rolling Stone 09-03-09
"I think it would be a waste of suffering if you don't gain wisdom or insight from it."

Actress Jane Lynch, NYT, 09-27-09
"I traveled within all the groups [in high school]. Started that pattern of don't stay long enough for anyone to get to know you, to see the chinks in your armor."

Eli Roth, New Yorker, 8/31/09
In response to Quentin Tarantino saying that Jews are willing to give a form of absolution. "The Jews are more angry about shit from 7,000 years ago than we were [when it happened] 7000 years ago. We never forget and we do not forgive. Those [referring to Tarantino's description] ain't my people."

Greg Allman, Rolling Stone, July 9 -23 2009
"To tell you the truth, it's my sixth marriage and i'm starting to think it's me."

Cornel West, Rolling Stone - 05-28-09
"I'm a bluesman in the life of the mind, a jazzman in the world of ideas."

Kris Kristofferson, Rolling Stone - 04-16-09
"I do wish I could take all the good moments of my life and spread 'em out like one every other year. It seems to that 'good times,' like the 'hard time,' come in bunches.

"Before he died, my father told me that 'I'll never understand what you have been doing with your life, but I do understand your NEED to do it."

On Johnny Cash, Uncut, February 2009
From his son: "My dad lived with pain his whole life. It was partially the way he was made, and partially the pain of addiction and partially the loss of his brother. His greatest pain was interior pain. But in the last 10 to 12 years of his life, physical pain took over. And you don't triumph over physical pain. Every day of his life he dealt with some sort of physical pain and for the last 10 years he as an abusive addict for the most part. He never stopped using substances."


Johnny Cash, Uncut, November 2008
"A record is just a recording of what you were doing that day. You don't wanna live the same day over and over again, now. Do ya?"

On Clay Felker, former editor of New York Magazine, in New York, August 2008
"Clay was not a monogamous person. It wasn't that he was such physically lustful male. It was that he really preferred women to men. I mean, without fuss or anything. He loved variety. Really, it was sort of in a not mean way - it was a harem mentality. I don't think he ever felt guilty about it. If he could keep the ball in the air so that he could be seeing three or four women at the same time, he was delighted. As I say, not that he was a great stud. He wasn't. But it was because he just loved seeing different women and having friendships and racing around."

John McEnroe, NYT, 08-24-08
"I'm not mellow, I'm mellower."

"I was always fighting the establishment, trying to run through brick walls. I don't have the angst I had."
From his wife: "He's an affectionate guy, a happy guy and man can he get freaking angry. He never goes off on meter maids. He just ices them. It's the worst. You don't want that wind blowing your way."

He definitely cares what people think. He definitely gets wounded. He just doesn't ever let what people think dictate what he does."

"I could have controlled [my temper] better. My parents always thought so. On some level I didn't control it because I didn't want to. But I took economics at Stanford, and it's the law of diminishing returns. I did feel out of control, and I didn't like it. Maybe what I like so much about what I do now is that I'm in control."

From brother Patrick: "Part of him enjoys chaos. He likes things to be a little unsettled. Wreaking havoc, what unsettles others, he can handle."

Snoop Dogg, Esquire, July 2008
"Love goes unappreciated a lot of times, but you still gotta keep giving it."

"A lot of people like to fool you you and say that you're not smart if you never went to college, but common sense rules over everything. That's what I learned from selling crack."

"Weed makes me feel the way I need to feel"

Keith Richards, GQ, April 2008
"I'm not calling myself wise. I refuse to grow up. But there are certain threads. Whether you connect the threads together, well...And really, there's nothing quite like having your kids or your grandkids or the people you know and love still say you're okay, because quite honestly, I don't know if I am or not. I mean, I'm just gonna do what I've got to do, and I've gotta live with the consequences, which I have quite often."

James Caan, Esquire, January 2008
"I never saw my dad cry. My son saw me cry. My dad never told me he loved me and consequently I told Scott I loved him every other minute. The point is, I'll make less mistakes than my dad, my sons hopefully will make less mistakes than me, and their sons will make less mistakes than their dads. And one of these days, maybe we'll raise a perfect Caan."

Sarah Silverman, Esquire, January 2008
"Jesus' words have become so perverted over time - it's been like a game of telephone. If he existed, he would fuckin' kill himself."

Chuck Berry, Esquire, January 2008
"I haven't been to church in 13 years, but I'm better prepared for heaven than most of those that haven't missed a day."

Peter Boyle, Esquire, January 2008
"When I was about to become a father, my friend Burgess Meredith said, 'You're gonna find something wonderful - someone you love more than yourself.' For self-centered people, it's a great blessing."

Mel Brooks, Esquire, January 2008
"You could never give your mother as much as she gave you."

Don Rickles, Esquire, January 2008
"No matter where you go in this world, you will always find a Jew sitting in the beach chair next to you."

"I used to play golf. I wanted to be a better player, but after a while I realized I'd always stink. And that's when I really started to enjoy the game."

Garry Shandling, Esquire, January 2008
"Tom Hanks seems to know exactly what he's doing."

Everyone at a party is uncomfortable. Knowing that makes me more comfortable."

"Some people can fake it their whole lives."

Carrie Fisher, Esquire, January 2008
"The older you get, the easier it is to spot the phonies. And I just think, how unpleasant for them."

"When you get on a manic run, you feel like you're a house burning down from the inside out. It's like having a bellyful of electric eels. Every ball you hit is out of the park. Every word you're searching for is right at the tip of your tongue. You look through the facts in your head, your library, your catalog of memories and experiences and information, and it's all there, everything. You have every connection before you even look for it. It's the best version of yourself, sold back to yourself on the cheap every minute every minute every minute."

Dustin Hoffman, Esquire, November 2007
"I became addicted to a derivative of morphine called Demerol. I;d been burned and was in the hospital for a month. When I was healing, everything was fine, and this yoke was lifted off me and there was this Zen feeling that people shoot for when they go into meditation. There was this sense of peace. I remember thinking: Why weren't we constructed this way?"

"I like to mimic my grandkids. I'm trying to understand the intensity of fixation on a leaf. Kids don't need anything else in their life."

Judd Apatow, NYT, May 27, 2007
"I was always last-picked for teams and it was devastating. I gravitated toward comedians because they were the ones who were pointing out hypocrisy and lying. I needed someone to tell me that it OK because I felt really bad."

Sunday, September 27, 2009

WISH I'D SAID THAT - THE ORIGINAL

Groucho
"Whatever it is, I"m against it."

Bono, Rolling Stone, November 3, 2005

"The great sadness of [my father's] life was that he didn't learn the piano. Oddly enough, kid's not really encouraged to have big ideas, musically or otherwise. To dream was to be disappointed. Which of course explains my megalomania."

"I don't think I'm like him. I have a very different relationship with my kids than he had with me. He didn't really have one with me. He generally thought that no one was as smart as him in the room....By not encouraging me to be a musician, even though that's all he ever wanted to be, he's made me one. By telling me never to have big dreams or else, that to dream is to be disappointed, he made me have big dreams."

Actor Gerard Butler, NYT magazine, April 17, 2005

I'm very extreme...There's the good me and the bad me. And back then I drank a lot - it was a constant search for the perfect buzz. Sometimes I miss that search. I still cherish those dark moments, but I don't want to go there again...I had a moment of truth. Well, actually I had 600 moments of truth. I went back and forth but I was sick of being sick and tired of being tired. Now I save my pain and anxiety for work."

Las Vegas Mayor and former mob lawyer Oscar Goodman, Esquire, January 2005
"The old timers I used to represent were pretty special people who really believed in a code of honor. We may not agree witht that code of honor but honor is always special, even if its a variety you don't subscribe to."

George Clooney, Esquire, January 2005
"To me, Al Cowlings is the best example of a friend. I embrace Al Cowlings for being the guy O.J. called up and said, "Dude, they're framing my ass. Start up the car. Get me $20,000 and a passport. Let's get on the road. It's very easy to be a friend when the pressure's not on. I embrace the man who can get in a car and drive his buddy in the blindness of all reality and truth - which his his buddy just murdered two people. Total blindness. I admire that. I'd like to have friends like that. I'd like to think I'm that friend. However the bigger truth is that you're on the run with a guy who just murdered two people. Once your eyes are opened, what do you do?"

Ozzy Osbourne, Esquire, January 2005
"You don't accidentally become an asshole. It takes a bit of work."

Washington Post legendary columnist Chalmers Roberts at 94, WPost, August 28, 2004
"I do want to add a final word about the hereafter. I do not believe in it. I think that the religiouns which promise various after-life scenarios basically invented them to meet the longing for an answer to life's mysteries."

Robert Downey's ex-wife on the actor, NYT, 2004
"I think the wounds with Robert are growing up and repeating the pattern [of his youthful drug life]. I think his specifc wounds are yet to be revealed to him. They're yet for him to look at."

Donald Trump on what it feels like to be Trump, Esquire, August 2004
"I nod, and it's done"

Director Elia Kazan on Marlon Brando, Time, July 12, 2004

"He never knew where the hell he was going to sleep. You didn't know who he was running away from or who he was angry with. You never knew."

Ron Reagan Jr. (hey he's a dem!), NYT, June 27, 2004
"One thing that Buddhism teaches you is that every moment is an opportunity to change."

A British journalist on Tony Blair, NYT, 6/20/04
"He's like an aging relative who refuses to wear a hearing aid. He will lead, he will not bend, and he will do what he thinks right even if he's the only one who thinks it."

On Ben Stiller in NYT, 6/20/04
"Off screen, Mr. Stiller affects an approachable, nice-guy persona, but he can also look sullen and shifty, radiating - and therefore inspiring - paranoia. One suspects he is much like the version of himself he played in 'Curb Your Enthusiasm.' - strenuously easygoing, yet unable to shake off an insult. A stewer as much as a doer."

Actor/Filmmaker Melvin Van Peebles, Chicago Tribune, May 23, 2004
"If you asked David what it was like fighgting Goliath, he'd say, 'Man, I was looking for the right size stone.' I was so busy looking for the right stone, I never reflected on what was happening."

Producer Rick Rubin on Johnny Cash, from "Unearthed" liner notes
"I always saw Johnny as being, personally, a work in progress. He was always trying to improve himself in any way he could. If you said something to him or made a suggestion, he would never say anything but he would take it away and think about it and work on it."

Larry David on "Curb Your Enthusiasm"
"I don't like talking to people I know. Strangers I have no problem with."

Arthur Miller, Esquire, July 2003
“ Sex is the most compressed set of circumstances that we’ve got. Everything is in that collision.”

“ Sex is always trouble. That’s part of why it’s so pleasurable – because for a moment the cloud lifts and then descends again.”

“ I find myself interested in what I’m looking at.”

“ Some failures are right. And some people fail because society isn’t ready for them. That’s what makes it so difficult.”

From “Clerks”
“ I hate people but I love gatherings. Isn’t it ironic?”

From "The Natural"
"We have two lives. The life we learn and the life we live."

Keanu Reeves, GQ, 5/03
He has been so successful at cocooning his public image in a kind of enigmatic murk one can only guess at the number and nature of his demons.

On Director McG, GQ, 5/03
McG does not drink – not so much as a beer…He is morbidly afraid of losing control…He reveals that his childhood fascination with psychology grew from his own anxiety and depression. He says they are afflictions that have plagued him since he was young.

“ I’m not the most mentally healthy kid on the block,” he says. Making others feel good has been his most reliable method for feeling better about himself. “McG likes to walk on the sunny side of the street…he’s always been the people pleaser…he doesn’t want to let that dark side of the world get him down,” says his sister.

On financier Jeffrey Epstein, Vanity Fair, March 2003
“ Whether in conversations or negotiations, he always stands back and lets the other person determine the style and manner of the conversation or negotiation. And then he responds in their style. Jeffrey sees it in chivalrous terms. He does not pick a fight, but if there is a fight he will let you choose your weapon.”

Keith Olbermann, NYT, 7/21/02
“ [Sports] is my first language. “

Sports is the first thing we were good or bad at, the first event we watched rapt, the first thing we ever read we didn’t have to. Our first strongly held opinions were about players or teams, and the way in which they differed from those of our friends were among our earliest intimations of a self.” [author].

Oakland GM Billy Beane, NYT, 3/30/02
“ Lenny [Dykstra] was so perfectly designed, emotionally, to play the game of baseball. He was able to instantly forget any failure and draw strength from every success. He had no concept of failure. I was the opposite.”

Woody Allen
“ Sex without love is an empty experience, but as empty experiences go, it’s one of the best.”

Tony Shaloub on his character “Monk” & comparison to S. Holmes, NYT, 10/13/02
“ Holmes only needed the drugs when he wasn’t working. When Holmes was engaged in a case, his brain was on fire and he was doing what he was born to do. The same is true for Monk. When he latches onto some important detail in a case, he’s free of all his phobias and neuroses and at least for the moment, he is at peace.”

“ As totally dependent as he is, Monk pretty much exists by himself.”

“ Monk” Writer Andy Breckman, NYT, 10/13/02
“Monk is like Holmes in that he is the most gifted guy around and the most troubled. He’s just not happy out in the world. Everything is just in so much disarray that he can’t deal with it.”

Actor William Petersen on his “CSI” character, NYT, 10/13/02
“ I see him as a man who makes very careful choices about everything, and I think that Grissom is still making up his mind about beings, about whether they actually deserve to be trusted.”

Billy Joel, NYT, 9/15/02
“ The happiest times in my life were when my relationships were going well – when I was in love with someone and someone was loving me. But in my whole life, I haven’t met the person I can sustain a relationship with yet. So I’m discontented about that. I’m angry with myself. I have regrets.”

“ The more I think about the more I think it was all four of those relationships [that drove me to drink too much]. I never really stop thinking about any of them.”]

“ I’ve only felt content a few times in my life and it never lasted. There are situations in my life that didn’t pan out. I’m like most human beings – I try and I fail.”

Director Michael Cimino, Vanity Fair
"When I'm kidding, I'm serious and when I'm serious, I'm kidding. I am not who I am and I am who I am not."

Paul Newman, NYT, July 14, 2002
"All of these characters [in Road to Perdition] are connected by these ropes. The rope between the father and the son, between the man and his boss. The story is all about being pulled in different directions and having to eithr sever one of the ropes or tey grab you. That sounds very phony, but oto me, that's what the whole thing was about. You pull them or you release them, if you can."

John Lennon from old interview reprinted in Vanity Fair, November 2001
“ Everything is true and not true about everything. That’s one thing I’ve learned. Both things are both true.”

Keith Richards, Rolling Stone, October 17, 2002

" [Mick] will never lie about in a hammock, just hanging out. Mick has to dictate to life. He wants to control it. To me, life is a wild animal. You hope to deal with it when it leaps at you...He can't go to sleep without writing out what he's going to do when he wakes up. I just hope to wake up and it's not a disaster. My attitude was probably formed by what I went through as a junkie. You develop a fatalistic attitude toward life. He's a bunch of nervous energy. He has to deal with it in his own way, to tell life what's going to happen rather than life telling you."

Some guy with last name Bass, GQ, June 2002
"I think we've got this whole thing backward, to tell you the truth. I don't think a god created us in his image. I think we created a god in our image."

Larry David, Esquire, March 2002
"I realized I could speak to [my therapist] every day for two hours for the rest of my life and I'll be exactly the same. All you're doing is exacerbating everything by exploring yourself so deeply. It's too much. You can learn too much about yourself. I think there's a limit."

On a prospective visit to a memorial: "You know, normally I love a good pall, but this is beyond pall. Anything where the society as a whole would be depressed would probably have buoyed my spirits a little bit - but not this. This is a bit much. Those are nice sneakers by the way."

Richard Lewis on Larry David: "Larry gets his neuroses not from a Method school - he's the Olivier of neurosis. I don't think in real life he suffers that much internally. I hope not. His obsessiveness is to make good art and be a good father and husband. I *think*. I say that about people and then you read the next day that someone was dresed up like Peter Pan on top of a bicycle."

Writer Brendan Lemon, GQ, October 2001
"The most important thing in communications is to hear what isn't being said."

Larry David, NYT, September 30, 2001
“ I feel aggravated I’m missing what other people are getting.”

Uma Thurman, NY, April 22, 2001
"It's funny how children really want normal. You just want to be flawed enough to fit in, good enough to fit in. It's strange because you would think special would be the real goal but it's not. Special is weird."

"For years I tried terribly hard to conform and always failed. It's very good for your mimicking skills. I had the burdensome name to boot, so I always tried to change that. I kind of cheated and turned my middle name into Karen, which was the closest thing I thought I could get away with...I think I'm still working on [getting reconciled with the unusual name]. I think these things are essential markings and they may start out as burdens but they end up as gifts."

Michael Paterniti, author of “Driving Mr. Albert”
“ One of the themes of my earlier life, is that I was forever projecting myself forward and backward at the same time, negating the present moment, changing my mind with alarming frequency. A master of vicissitudes, I fell in and out of love with certain ideas and certain rock bands and certain girlfriends who, in the end, must have been glad to see me go. After all, I couldn’t name my longing and yet it was there, always driving me away from the place where I stood.”

“ When I really thought about it, after I’d outrun anybody remotely interested in me, I wondered how I might ever find someone with whom I might happily live.”

Albert Einstein, as quoted in the above book
“ Marriage is the unsuccessful attempt to make something lasting out of an incident.”

Neil Young, NYT magazine, 2000
“ I just didn’t like people telling me what to do…That’s when I came up with the concept of destroying what I created in order to move on.”

“ I’ve left some charred paths behind me.”

NYT 6/25 Wedding Story
“ Marriage is really an agreement between two people to wing it together.”

Exchange bet. Girlfriend and Sean Penn’s character Emmet Ray in “Sweet & Lowdown”
Girlfriend: “You keep your feelings all locked up and you can’t feel nothing for anybody else.”

Ray: “You say that like it’s a bad thing.”

Actress Elizabeth Gilbert, GQ, July 2000
“I want the magical power to have a movie soundtrack playing all the time in my life. Wouldn’t it be great if the perfect song could always come on at the perfect moment? I wouldn’t want to bother anyone else with it, so the only people who would be able to hear it would be me and whoever else was in the scene with me.”

The Lester Bangs character in "Almost Famous"
"The only true currency in this bankrupt world is what we share with someone else when we're uncool."

NYPD Blue creator David Milch, NYT, 6/18/00
“ I lived a shadow life. Somehow I was able to find more constructive accommodations for all these impulses.”

“ [The Sipowicz character] is challenged, in terms of his habits, his addictions, his temperament.”

Mayor Anthony Williams, Washington Post Magazine, 6/4/00
“ I took the scenic route through life, and didn’t get on the interstate until pretty late. Then I had to floor it.”

“ My approach, psychologically, from the time I was little, is to just let it ride, let it ride, and then – at the right moment – move in. You are gonna get a lot more coming in below the radar, and moving up, than if you just came in and got shot down from the beginning.”

David Letterman, Esquire, May 2000
” Life is like swimming the English Channel. Just because you’re greased up and on the shore doesn’t mean you won’t be taken out by a barracuda.”

John Cusack on his character in “High Fidelity,” NYT, 4/2/00
“ [The character] is a guy who ought to know better than to be the way he is. And in fact, he does know better. He’s a lazy, delusional slacker but he’s brutally honest with himself and has these terrifically incisive insights and that’s what makes him redeemable.”

Garry Shandling in NYT, 3/15/00
“ Relationships may be the final frontier for me. I’m very comfortable with myself and with being alone so I’m not driven to be in a relationship. I’m far more content now than I’ve ever been in my life. But you know, if there’s something I’m missing, I’m the first to want to know.”

“ I wouldn’t want to be me.”

“I was one of those kids who didn’t quite fit in in high school…You don’t end up like me if you fit in.”

Nick Nolte in People, 2/7/00
“ I identify with the misfit…You get to a point in your life when you realize you’re a combination of all the mistakes you made.”

Director John Frankenheimer, Washington Post, 2/20/00
“ This journey, this life…[is like] a guy who just lost his girlfriend says, ‘God I’m so sorry it didn’t work out.’ The other guy says, ‘It worked out, just not the way you wanted.’”

Movie Critic and Philosopher Robert McKee in “20 Dates”
“ Men obsess about the physical. Women do the opposite. Women obsess on the metaphysical. Women create a phantom image of a man - their ideal man - and they’re in love throughout their lives with a man who does not exist. Therefore, they’re comparing every man they meet to their phantom image and no man can possibly measure up to that. And since men are obsessing on the physical and women are obsessing on the metaphysical, the possibilities of two people who are less than ideal - and that’s everyone - having a transcendent, unconditional relationship for the rest of their lives are not good.”

Former University of Chicago President, NYT 12/19/99
“ Whenever I get the urge to exercise, I lay down until it goes away.”

TV Writer David Hackel on Ted Danson’s “Becker” character, NYT, 12/12/99
“ He has clear attitudes about things. You may not agree with them, I may not agree with them, but when he speaks, everybody listens. I think he is an unhappy person, but not all the time. I think he is a very frustrated person, and sometimes depressed. I think he is also one of those guys who sometimes thinks the rules are for everyone else besides him. He is not a consistent character, and he is often dead wrong.”

Vaughn Meader in NYT magazine, 11/21/99
“ The conclusion I’ve come to is the cosmic force of timing…It’s like a Swiss watch and we’re all working for it whether we know it or not. There’s a celestial clock with gears within gears and wheels within wheels and individuals spiraling through life…when it’s time, it’s time. It’s almost like the movie of our lives is already in the can and all it’s doing now is running, with the earth as our stage. So everybody’s got parts, and when each of us comes to our grand finale, then that’s that.”

Phil Jackson in SI, 11/1/99
“ Institutional religion doesn’t attract me but the philosophical nature of Christianity appeals to me. Love. Love thy neighbor. What also appeals to me is the emphasis Buddhism places on compassion. Love and compassion. I like that combination.”

Woody Harrelson in NYT, 10/31/99
“ I don’t lay down the law about anything. I guess that makes me full of contradictions. I want to be liquid. I don’t want to be solid mass.”

“ Things used to ignite me, definitely. I don’t let things get me that much these days. Anger comes from pain, so it behooved me to take a look at that pain. Otherwise it’s going to destroy me, it’s going to kill me. So I did it. I took a look at it and I went pretty deep.”

“ [I] confronted things that would have toppled people mentally, would have crushed me at least for a while and I just took it. It’s not like I became Zen or anything. I’m a long way from that. What helps the most is that I feel I love myself. Check that, I like myself a lot. Just right there on the periphery of loving myself.”

Ultimately, what do we want? We want to be at peace. And I’m not saying I’m at peace, but I sure have a lot of moments of peacefulness.”

On a character he plays: “He’s a wanderer and he cannot settle down. He’s always running away…He dreams bigger than his capabilities but he’s well intentioned.”

As described: “He’s much smarter than he looks…He’s just a mischievous, adventurous human being. He definitely marches to the beat of his own distinct drum, but what I appreciate about the way he steps is that it’s never to the detriment of others. It’s about just being who he is.”

Ben Affleck, GQ, October 1999
“ The reason I’m single is because I wouldn’t want to be with anybody right now who would be willing to be with me.”

Phil Spector, Esquire, September 1999
“ I am constantly trapped in my own freedom, environment and heredity.”

“ Love is an obsessive delusion that is cured by marriage. The dread of loneliness is greater than the fear of bondage, so we get married.”

“ Since I’m one of those people who are not happy unless they are not happy, it’s comforting to know that mental health doesn’t always mean being happy.”

Sting, on fidelity, Esquire, September 1999
“ It’s a revelation that’s coming to me. I’m still a dog. I still desire women. I love every woman. As most men do. But I’m coming to realize more and more that one woman is all women. If I put enough energy and care into that one relationship I have, then all of the myriad possibilities that the romantic sexual world offer will be included in that one. I believe that now. Because I think in all of that multiplicity, you get diminishing returns.”

Carolyn Cassady (widow of Neal) on Jack Kerouac in “King of the Beats”
“ [all that Jack ever wanted was] ‘home and kids and the picket fence and the station wagon. He wanted that desperately, and he began to realize as time went on that he could never handle the responsibility of that. His whole life was about escape….He was such a dreamer. It was escape all the time.”

Bill Murray, in NYT Magazine, 1999
by Murray: “There’s something about work, just like there’s something about romance, that if you don’t have to have someone, you’re more desirable.”

“ A lot of [the movie] ‘Rushmore’ is about the struggle to retain civility and kindness in the face of extraordinary pain…In ‘Rushmore’ I play a guy who’s aware that his life is not working, but he’s still holding on, hoping something will happen and that’s what’s most interesting. In life, you never have to completely quit. There’s some futile paddling toward some shore of relief, and that’s what gets people through. Only the really lucky get a tailwind that takes them to the shore. So many get the headwind that they fight and the tip over and drown.”

“ When you become an adult and get to pick your pleasures, they should be worth picking.”
by the author: “Murray is in a constant state of discernment. He’s alert to nuance.”

Janis Joplin, reprinted in the New Yorker, 1999
“ There isn’t going to be any turning point…There isn’t going to be any next-month-it’ll-be-better, next fucking year, next fucking life. You don’t have any time to wait for. You just got to look around you and say ‘So this is it. This is really all there is to it. This little thing.’”

Evel Knievel, Esquire, July 1999
“ If a guy hasn’t got any gamble in him, he isn’t worth a crap.”

Eric Clapton in Vanity Fair, June 1999
“ [Blues are] a man’s music…very deep and mature, a way for me to identify with the idea of becoming a man.”

David Chase, Creator of “The Sopranos,” NYT, 6/6/99
“ I’ve always been anxious, fearful, competitive, envious and angry.”

Ted Williams, Esquire,1999
“The most fun I ever had in my life was hittin' a baseball. And the best sound I ever heard in my life was a ball with a bat. Powww!"

"I take two things into consideration if you're a guest: the city you're from and your exposure to baseball."

"In order to be called great ya gotta have the circumstances surrounding ya."

Sean Penn in NYT Magazine, 1999
by the author: “He is a throwback to the sort of men - tough, thoughtful, somewhat dangerous, full of inchoate feeling - who haunt the songs of Bruce Springsteen and the writings of Charles Bukowski. Penn is romantic about America and the kind of questing spirit that fins solace driving fast on an open highway or crashing a small town motel room or drinking late in an all-night bar.”

Will McDonough on Johnny Unitas on ESPN’s Century’s Greatest Athletes - 1999
“ Even when he won he was unhappy…that’s how competitive he was.”

Artie Shaw in Vanity Fair, June 1999
“ You don’t make it happen…you let it happen.”

George Lucas in NYT,3/21/99
“ I’m a cynical optimist.”

Photographer/Diarist Peter Beard, in ICON Magazine
“ I’ve never really made a plan. I’ve never followed a plan. I’ve never known what I was doing….My whole life has just been spontaneous escape from one thing or another.”

From HBO’s “The Sopranos”
Carmela to Tony: “Everything with you is a multiple choice question. I can’t tell whether you’re old fashioned, paranoid or just an asshole.”

Federico Fellini in GQ, January 1999
“ Commitment, I feel, prevents a man from developing. I am committed to non-commitment.”

Jon Stewart in Icon, December 1998
“ I’m sure I have a lot of unresolved issues, but I talk a very healthy game.” If I shone a light on your life, there’s tragedy there. Everybody’s got their own little Shakespearean play going. Then there’s people that are truly insane and can’t do anything about it. But the rest of us have to try to suck it up.”

Cheech Marin to Kevin Costner in “Tin Cup”
“ You can’t ask advice about the woman you’re trying to hose from the woman you’re trying to hose.”

Artie Shaw, in Icon, December 1998
“ Love is an agreement between two people to overestimate each other.”

Horse Racing Writer and Handicapper Andrew Beyer in NYT, 11/8/98
--on his passion/profession: “Everyone goes through life in whatever they do dreaming of finding some flash of insight that altered their lives and this was mine.”

“ People never know when they’re living through a golden moment.”

Writer/Director Paul Schrader in NYT, 1/3/99
“ I’ve been doing love stories all along. It’s just that nobody ever returns these guys’ love. They’re crushed, bruised romantics. I’m going to do one now where somebody actually loves him in return.”

Angelina Jolie, in GQ, January 1999
” I don’t really cook, and I don’t like to be touched all the time, and I don’t really like to explain myself. If somebody’s living with me, I usually leave the house a lot.”

Cathy Ponton King in “Sweet, Sad & Lonely (1999)”
“ My love and my pain are one and the same.”

Woody Allen in Vanity Fair, December 1998
“ The heart wants what it wants.”

NYT profile of Kris Kristofferson
“ He is what he wrote about, a walking contradiction…propelled through life less by reason than by impulse; a Golden Gloves boxer blessed with a poet’s understanding of irredeemable loss and late-night yearnings. Rugged yet capable of being wounded, solitary yet reachable, he veers between two styles: supremely laid back and wound tighter than most.”

Vittorio DeSica, director of “The Bicycle Theif,” NYT, 11/27/98
“ There are no small events when it comes to the poor.”

Bruce Springsteen, on “Charlie Rose Show,” 11/20/98
“… And my mother was very consistent and was somebody who – we had a relationship that was…It was easier to understand, you know? It was nurturing, and there was faith involved and support and a lot of giving love.”

“ You learn by your bad experiences. And that’s just the way it goes, you know? We internalize everything and carry it with us.

“ And our job – the way we create our lives is by sorting those things out and sorting them through. That’s how we honor our parents and honor the people who’ve taught us, you know, is in divining our own path and our own road through the things that they handed down, both the good things and the bad, you know? That’s essential. That’s how you find yourself and get to your place in the world.

“… It’s all a lesson…I think with my children, I try to be patient and not run and be there, but I think also to respect their wishes, in some sense, the serious wishes, the serious desires, if they have an interest, to indulge it, that’s how you know or don’t know. You don’t know what that moment might bring 10, 15 years down the road.

“ And why do we think of things 30 years later, some small incident that we’ll be thinking of when we’re dying, on our deathbed, some small incident that had no apparent meaning on the day that it occurred. Those are the things that’s the essence of what it’s all about. I think when you address your children, you have to always be on the lookout for that – that moment. It should be just sort of a daily way of interacting. So I’ve tried to do that better.

“… There’s a certain amount of psychology that comes with what kind of person are you. Are you a watcher? Ate you somebody who – do you jump in and are you active right away, or do you – or do you watch? Do you stand back and observe? That was always my nature. My nature was I was standing back, and I watched the way things interrelated and the way – what was going on around me. I might have been too frightened to join in. I didn’t know how to join in.

“ So, it was a part of – observation was a part of my psychology. And I think that has a lot to do with people who then go on and write or take their own thoughts and formulate them in some fashion. It’s usually a result of a variety of dysfunctions that you’ve managed to channel into something positive and creative, rather than destructive.

“ [my music came out of ] my experience growing up and my relationship with my father and understanding and trying to understand the concept of work and how work plays a central role in your life. I had two very different examples. My mother’s relation to work was very joyous, was very happy…And what she gained from it was an entire mode of behavior. You get up in the morning at a certain time. You prepare yourself. You get yourself ready to go to a job. And you walk down the street and you’re there at a particular time in the day, and you interact with your coworkers and that’s a big part of your social life and your work life and your place in the world. You’re doing something with a purpose. There’s a reason you’re there besides just feeding your family. You’re a part of the social fabric. You’re what’s holding the world together. You’re what’s holding your town together. That’s what’s holding your family together. And I always remembered she walked with tremendous pride and strength - enormous strength. And it gave such great comfort, such great, great comfort to a child.

“And I think my dad had different experiences. Work was involved with pain…That’s essential. That’s central to the way that we live and think about ourselves and who we are and the place we live and so I saw both sides of it. I saw what happens when that’s not present. There is pain, and there is anger. It’s a very destructive force. You wither away. You waste away. You don’t know where you’re going or who you are and you take that out on the people that you care about, which is something you don’t want to do.”

William Faulkner, quoted in GQ, 9/98
“ Tomorrow night is nothing but one long, sleepless wrestle with yesterday’s omissions and regrets.”

Johnny Depp, in Icon, June 1998
“ I like the idea of marriage. I don’t know if I believe in it, but I like the idea, the concept. I don’t know if one person can be with one person until they die. I don’t know if that’s humanly possible.”

From the movie “Strictly Ballroom”
“ A life lived in fear is a life half lived”

Writer/Director Ron Shelton, on his baseball movies
“ You can see the plays on TV. I want to show you what goes on between the games.”

“ Drama is about people on the fringes, not the stars.”

Janis Joplin, in WPost, 5/5/98
“ I can’t talk about my singing. I’m inside it. How can you describe something you’re inside of?”

Shirley MacLaine on Frank Sinatra, New Yorker, November 3, 1997
“ If you helped him more than he helped you, the friendship was doomed because the balance he wanted had been tipped. He was a happy man when he was able to come to my rescue. ‘Oh, I just wish someone would try to hurt you so I could kill them for you,’ he’d say.”

Pete Hamill on Frank Sinatra, Ibid
“ He understood loneliness better than any person of his generation. I mean a certain kind of urban loneliness.” {Author writes]: “But what Sinatra evokes is not strictly urban. It is a very particular American loneliness – that of the self adrift in its pursuit of the destiny of ‘me,’ and thrown back onto the solitude of its own restless heart.”

Orson Welles, as quoted in 1997 SI article on David Wells
“ Everything about me is a contradiction, and so is everything about everybody else. We are made out of oppositions; we live between two poles. There’s a philistine and an aesthete in all of us, and a murderer and a saint. You don’t reconcile the poles. You just recognize them.”

Unknown
“ There are only three things in life. There’s what other people think you are. There’s what you think you are. And there’s what you really are.”

Writer J. Anthony Lukas NYT, 10/12/97
“ All writers, I think, are to one extent or another damaged. Writing is our way of repairing ourselves.”

Robert Downey Jr. on losing weight due to drug abuse, Playboy, December 1997
“… there’s a part of me that…romanticizes what was going on. Not only was I at zero body fat, I was starting to get down to zero muscle mass. Then it would have been zero bone mass, and then what would have happened? A strong wind and – pixie dust.”

On Director Oliver Stone, Washington Post, November 1997
“ His mind is always at work but his heart is also at work. One does not suppress the other. He could be having the most enlightened conversation one minute and the next minute his head is whipping around so he can comment on someone’s breasts.”

“ He shines his light in the dirty corners of the American psyche.”

Randall “Tex” Cobb, in GQ, 11/97
“ The measure of a man is what happens when nothing works and you got the guts to go on.”

George Clooney, in WPost, 10/97
“ The way you want to do it is like Cary Grant. Have a successful career, then in 1966…decide you’re looking too old, leave the movies and never look back. Then at 80 years old have a stroke and drop dead. That’s perfect.”

“ I don’t believe in Heaven and Hell. I don’t know if I believe in God. All I know is that as an individual, I won’t allow this life -- the only thing I know to exist – to be wasted.”

Bob Dylan, Newsweek, 10/6/97
“ Here’s the thing with me and the religious thing. I find the religiosity and philosophy in the music. I don’t find it anywhere else…I don’t adhere to rabbis, preachers, evangelists and all that. I’ve learned more from the songs than I’ve learned any of this kind of entity. The songs are my lexicon. I believe the songs.”

“ I don’t think I’m tangible to myself. I mean, I think one thing today and I think another thing tomorrow. I change during the course of a day. I wake and I’m one person, and when I go to sleep I know for certain I’m somebody else. I don’t know who I am most of the time. It doesn’t even matter to me.”

Bob Dylan, in NYT, 9/28/97
“ I can be jubilant one moment and pensive the next, and a cloud could go by and make that happen. I’m inconsistent, even to myself.”

“ Environment affects me a great deal. A lot of the songs were written after the sun goes down. And I like storms, I like to stay up during a storm I get very meditative sometimes.

Joni Mitchell, in Vanity Fair, June 1997
“ I’m a serial monogamist…Kind of horrifying to the last generation, where everybody stuck together. This generation, we’re so worn down that nobody can stay in our company for any length of time.”

Robert Kennedy, Jr, NYT, 6/15/97
“ I went through a long period where I was knowingly living against conscience.”

Columnist George Vecsey on Patrick Ewing – NYT, 5/18/97
“ Ewing exists in a civil world halfway between leader and loner.”

Bob Dylan, on his divorce -- Washington Post, 2/10/97
“ People fall in love with a person’s body…with the way they dress, with their scorecards. With everything but their real selves, which is what you need to love if you’re to be happy together.”

F. Scott Fitzgerald on Zelda – NYT Magazine, 12/1/96
“ Her passionate love of life and her absolute inability to meet it seems so tragic that sometimes it is scarcely to be endured.”

Photographer Peter Beard in Vanity Fair, November 1996
“ The institution of marriage should be re-examined because of its overwhelming claustrophobia. The odds are stacked against spontaneity and effervescence. It’s an institution that was brought about for the sake of family and children, but biologically it’s very unnatural. It’s masochism and torture the way it’s been organized.”

Jonathan Rosen Essay in New York Times Magazine—1996
“ The morning of my wedding, my father gave me a piece of unexpected advice. ‘When you step on the glass, why don’t you imagine that all the doubts and fears of childhood are inside and that you’re smashing them too?”

Anthony Hopkins, Vanity Fair, October 1996
“ I’m just very, very selfish. If somebody doesn’t like what I am, I don’t hang around trying to win anybody’s approval. I may have screwed up a lot of my life; I may have hurt a few people…I’m a roamer. I think I’m a bit of a nihilist.”

“ I’ve been troubled for years. I don’t quite know with hat. Something troubles me, and I don’t know what it is, but it brings me a lot of restlessness…I’m lousy at relationships. I’m too selfish, too self-motivated. I’m a runner.”

Film Director Hal Hartley -- NYT Magazine, 8/4/96
" Love stories aren't about boys and girls, they are about pain and struggle and fear."

David Geffen, Rolling Stone, April 29, 1993,

"No matter how badly I did in school, no matter how little faith I had in myself, my mother always said, 'You have golden hands. Whatever you want to be, you'll succeed at.' And I thought she was a nut, because I was a complete fuck-up and I didn't think I could do anything. But my mother's belief in me gave me a level of confidence that enabled me to succeed."

Bruce Springsteen, Rolling Stone, August 6, 1992

" [The toughest thing about being a father} is engagement, engagement, engagement. You're afraid to love something so much, you're afraid to be that in love. Because a world of fear leaps upon you, particularly in the world that we live in. But then you realize: 'Oh I see, to love something so much, as much as I love Patti and my kids, you've got to b e able to accept and with with that world of fear, that world of doubt, of the future. And you've got to give it all today and not hold back.' And that was my specialty - my specialty was keeping my distance so that if I lost something, it wouldn't hurt that much. And you can do that, but you're never going to have anything."

Robin Williams, Rolling Stone, February 25, 1988,

" Oh I don't have inner peace. I don't think I'll ever be the type that goes 'I am now at one with myself.' Then you're fucking DEAD, okay? You're out of your body. I do feel much calmer. And therapy helps a little, I mean it helps a lot. It makes you re-examine everything: your life, how you relate to people, how far you can push the "like me" desire before there's nothing left to like. It makes you face your limitations, what I can and can't do."

Eric Clapton, Rolling Stone, June 20, 1985

"[I'm] obsessive. Part of my character is made up of an obsession to push something to the limit. it can be of great use if my obsession is channeled into constructive thought or creativity, but it can also be mentally or physically or spiritually destructive. I think what happens to an artist is when he feels the mood swings that we all suffer from if we're creative, instead of facing the reality that this is an opportunity to create, he will turn to something that will stop stop that mood, stop that irritant. And that would be drink or heroin or whatever. He won't want to face that creative urge, because he knows the self-exploration that must be undertaken, the pain that must be faced. This happens most, or very painfully, to artists. Unless they realize what it is that is doing to them, they'll always be dabbling in something or other to kill it."

Bill Murray, Rolling Stone, August 16, 1984

" This is the same conversation I had with my teachers then. 'What's wrong with Bill? Something bothering you? Something wrong at home?' I don't know, I just didn't care for school much. Studying was boring, I was lazy. I'm still lazy. And I had no interest in getting good grades. I was basically causing trouble all the time. But not very serious trouble."

Jack Nicholson, Rolling Stone, March 29, 1984

"By nature, I am not monogamous. But I have been monogamous, which is the only reason I'm comfortable saying this out loud. It doesn't make any difference, except in a positive way, primarily for appearances. I only believe this because of experience. Once I've had enough experience about something, I don't give a fuck about anybody else's theory. I say monogamy doesn't make any difference; women suspect you whether it's true or not."

"I genuinely do [like women]. I prefer the company of women and I have a deep respect for them. I'm buzzed by the female mystique. I always tell young men there are three rules: They hate us, we hate them; they're stronger, they're smarter; and most important, they don't play fair."

"I'd like to say 'No it doesn't matter whether somebody's beautiful or not,' but whatever I find beautiful is what I'm attracted to. As for the other other, I'd like to have all the women I'm attracted to STILL with me. I don't want them unattainable. I don't even want them unavailable!"

"...It's like every male: You're not sure that you're not driving [women] away because you don't know how to leave them."

"...That's the dichotomy. I yearn for honesty in life. As an artist, I yearn for the clear moment. I would tell anybody any living thing about me, and there's a lot of stuff that ain't great."

"I'll put my medical charts, my sanity charts up against anybody's. I'm not doing anything wrong. I'm not doing anything but trying to do everything right. I know what's true, who I am. I would like to say I don't care what people think, but I do. Everyone who knows me may think I'm a tad boyish and fun-loving, but I don't think anybody thinks I have any negative momentum, corrupting philosophies or overly radical moral opinions."


Fictional POTUS quotes Chauncey Gardiner in the last words at funeral in “Being There”
“ Life is a state of mind.”

Harvey Keitel as “The Cleaner,” Mr. Wolf, in Pulp Fiction, to Travolta and Jackson
“ Just because you are a character doesn’t mean you have character.”

Coffee Shop Owner, in “Pulp Fiction,” to Tim Roth
“ I am not a hero. I’m just a coffee shop owner.”

Franz Lidz’ mother in film of his book “Unstrung Heroes”
“ A hero is anybody who finds his own way through this life.”

George Costanza to Jerry on Seinfeld
“ If you take everything I’ve accomplished in my life and condensed it down into one day – it looks decent!

Costanza in another episode on being told he is Marisa Tomei’s type
“ What are the odds of me being someone’s type. I would kill to be someone’s type.”

Sonny Corinthos to Brenda Barrett on GH
“ We had something that was bigger than life; bigger than anything we’d ever experienced. It scared the hell out of us, so we sabotaged it. We used anger to distance ourselves from each other…from all the bigness. But it never sticks. We always end up right here. Inches apart.”

Jack Nicholson to Shirley McLaine after her declaration of love in “Terms of Endearment”
“ I was just inches away from a clean getaway. I don’t know what else to say except my stock answer. I love you too, kid.”

Burt Lancaster’s Character in “Field of Dreams”
“ It was like coming this close to your dreams and watching them pass you by like a stranger in the crowd. At the time, you think there’ll be other days. We just don’t know the most significant moments of our lives while they’re happening. At the time, you think there’ll be other days. I didn’t realize that was the only day.”

GH Mobster/Gangster Sonny Corinthos in 1997 episode
“ Once you have everything, you have everything to lose.”

Rev. Jim Ignatowski of “Taxi” (199X)
“ If I could be anybody else in the world, I’d be me. That way I don’t have to buy new clothes.”

Broadcaster Harry Caray on ESPN “Up Close” (1984 or 1987)
“ Baseball is life itself.”

Bob Dylan in “It Ain’t Me Babe” (196X)
“ When you got nothin, you got nothin to lose.”

From Walk Away by Tom Waits
Hell the things I’ve done I can’t erase
I want to look in the mirror and see another face
I said never going to do it again
I want to walk away and start all over again.
No more rain
No more roses
On my way,
Shake my thirst
in a cool, cool park.
There’s a will I’ll never replace
There’s a heart that beating in every page
When the beginning always starts at the end
Well then it’s time to walk away and start all over again.
… A yellow dog knows when he’s sinned
You want to walk away and start all over again.

From “Low Spark of High Heeled Boys,” by Steve Winwood
If you see something that looks like a star
And it’s shooting up right off the ground
And your head is spinning from a loud guitar.

If you had just a minute to breathe
And they granted you one final wish
Would you ask for something
Like another chance.
Or something similar as this,
Don’t worry too much, it’ll happen to you
As sure as your sorrows are joys.

If I gave you everything that I owned
and asked for nothing in return
Would you do the same for me
as I would for you.
Or take me for a ride
Strip me of everything, including my pride
but spirit is something that no one destroys.
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